Mixed “Augusta,” a Columbia University graduate thesis project, in Dolby Atmos, with a controlled mixdown to 2.0 stereo, designing an immersive three-dimensional sound field to support the film’s narrative and emotional arc.

Balanced dialogue, music, and environmental elements within an object-based Atmos framework, ensuring center-channel clarity while allowing natural spatial expansion across the surround field.

Supervised translation from Atmos to stereo, carefully managing phase coherence, dynamic integrity, and tonal balance so the 2.0 version retained depth and impact across playback systems.

Delivered a cohesive final mix optimized for both immersive theatrical playback and standard stereo distribution.